"REFUSING ERASURE" Prints by Carlos BarberenaOPENING RECEPTION: THURSDAY, MARCH 17, 4 – 6 PM
ON VIEW: At Overture Galleries: Gallery III – January 25 – April 17, 2022 Overture Center for the Arts 201 State St. Madison, WI 53703-2214 Southern Graphic Council International SGCI Conference: March 16–19, 2022 SGCI Our Shared Future printmaking conference is a call to artists to consider how our studio practice makes culture and knowledge visible through socially engaged graphic arts of the past, present and future. Printmaking can deepen our understanding of the world, inherently challenge systems of oppression and can push against histories of colonization, unwarranted violence and systemic racism. Artists share in the responsibility to shape our future. Overture Center is proud to join the Our Shared Future conference and UW–Madison in our commitment to respect the inherent sovereignty of the Ho-Chunk Nation and the other First Nations of Wisconsin.
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"THE CONTEMPORARY PRINT" |
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Thanks
ESSENTIAL - For Your Colonizer Comfort -
"ESSENTIAL — FOR YOUR COLONIZER COMFORT"
de Carlos Barberena
Mientras mi pulgar se desliza dócilmente sobre la pantalla de mi esmartfon, comienza a brotar la ilustración de un trabajador esencial excepcionalmente grabado. La figura es reconocible; la conforman millones y millones de puntos cromáticos que se proyectan en la pantalla de cristal líquido y trazan un trabajador del campo estadounidense en esta nueva era de Acuario y de Covid-19. La forma prodigiosa y el contenido punzante hacen de una propuesta conceptual una obra maestra del grabador Carlos Barberena.
El Maestro Barberena lleva por lo menos tres décadas trabajando con el tema de la migración, lo hizo en Costa Rica cuando emigró de Nicaragua, 1986, y lo ha hecho en Estados Unidos desde que emigró a Washington en 2008. Ya en Chicago realizó tres grabados memorables sobre el mismo tema: Los refugiados (2010), Santo Pollero (2011) y Riding the Beast (2011).
Le arrebata a “los nobles” los atributos simbólicos del retrato de los poderosos: la aristocracia y el clero, y se lo otorga a los trabajadores más expuestos al abuso y a la esclavitud moderna: el trabajador agrícola, el empacador, el estibador. Con motivos floripondiosos y barrocos honra a estos nuevos personajes esenciales en cualquier campo de cultivo, en cualquier punto del orbe.
A través de estas magníficas impresiones en bolsas para el mandado elaboradas con papel de grabado, BFK Rives, el artista nos invita a deconstruir el concepto esencial y descolonizar nuestro pensamiento para en verdad observar, reconocer y respetar el trabajo y la vida de aquellas trabajadoras y trabajadores que con su labor hacen posible que en nuestra mesa no falte un alimento digno esta noche.
POSADA: The Godfather of Latin American Printmaking
Via Zoom at Eiteljorg Museum
PLEASE RSVP FOR THE EVENT HERE
"POSADA: The Godfather of Latin American Printmaking"
José Guadalupe Posada (1852-1913) was a Mexican Printmaker and illustrator known for his satirical and socio-political prints and cartoons. His more critical work shows us the social injustices and inequality during the Porfiriato (1876-1911) but also he illustrated with mastery the spirit and everyday life of the Mexican People. One of his well-known satirical prints is “La Calavera Garbancera or La Catrina”, a print that has become an icon during the celebration of el Día de Muertos / Day of the Dead.
In this presentation Barberena will be talking about Posada’s legacy and how his social-political work has influenced artists in Mexico and Latin America until this day.
About the Artist:
Carlos Barberena (b.1972) is a contemporary Nicaraguan self-taught Printmaker best known for his satirical relief prints and the use of images from pop culture, as well as from political and cultural tragedies. His work has been shown nationally and internationally in Art Biennials, Museums, Galleries, Universities and Cultural Centers.
He has received various awards, most notably the “National Printmaking Award 2012” given by the Nicaraguan Institute of Culture. Barberena’s work is included in numerous public and private collections. Currently Barberena lives and works in Chicago.
Artist Talk with Printmaker Carlos Barberena
VIA ZOOM
RSVP Must be received by 10/27 / *RSVP to Bill Fick at [email protected]
Department of Art, Art History & Visual Studies
Wednesday, October 28, 2020 - 2:00pm to 3:00pm
Carlos Barberena (b.1972) is a Nicaraguan self-taught printmaker based in Chicago, where he runs the printmaking projects Bandolero Press & La Calaca Press. He is also a member of the Instituto Gráfico de Chicago. Barberena is known for his satirical relief prints and the use of images from pop culture, as well as from political and cultural tragedies. He has exhibited individually in Costa Rica, Estonia, France, Mexico, Nicaragua, Spain, and the USA. His work also has been shown in art biennials, museums, galleries and cultural centers around the world.
Open to the public. To join this Zoom meeting please RSVP to Bill Fick - [email protected] (RSVP must be received by 10/27)
Sponsored by the Visiting Artist Series of the Department of Art, Art History & Visual Studies.
"Sólo un poco aquí: DAY OF THE DEAD"
VIRTUAL OPENING RECEPTION: FRIDAY, SEPTEMBER 18TH, 6:00PM - 8:00PM
ON VIEW (Virtually):
SEPTEMBER 18 – DECEMBER 13, 2020
NATIONAL MUSEUM OF MEXICAN ART
1852 W 19th St. Chicago, IL 60608
Este año la exposición rinde homenaje y recuerda a todas las personas de nuestra comunidad, de México, los Estados Unidos y del mundo entero que han muerto por el COVID-19. Acompáñenos a ver instalaciones, grabados y pinturas creadas por artistas locales para ésta, la 34ª exposición de Día de muertos. Así mismo, obras en diferentes técnicas de la creciente colección permanente del Museo Nacional de Arte Mexicano serán también parte de esta exposición. Este conjunto de obras creadas por artistas mexicanos de los dos lados de la frontera manifiesta el interés de ellos por preservar y participar en una de las celebraciones vivas más importantes de México, la cual, a través del tiempo, ha trascendido fronteras.
Curated by Dolores Mercado
Curatorial Assistant, Marilyn Lara Corral
Atlan Arceo-Witzl, Carlos Barberena, Gabriela Leyva, Hector Duarte, Salvador Jiménez-Flores, Sam Kirk, Rodrigo Lara Zendejas, Elsa Muñoz, Mark Nelson, Yollocalli Youth Council.
ARTISTS
Herman Aguirre, Rene H. Arceo, Antonia Felipe Calendario, Veronica Cardoso Nagel, Alfonso Castillo Orta (1944-2009), Castillo Orta Family, Almendra Castillo Valderrama, Carmen Chami, Javier Chavira, Álvaro de la Cruz López, José Antonio de la Cruz, Francisco Flores, Esperanza Gama, Demetrio García Aguilar, Sergio Gómez, Gronk, Ester Hernández, Pedro Hernández, Celeste Jaime, Carmen Lomas Garza, Mario López Torres, Isabel Martínez, Ann Murdy, Alejandro Nava (1956-2014), Rodrigo Oñate Roco, Ignacio Peralta Soledad, Benito Rivera Soteno, Michael Roman (1956-2016), Alfonso Alejandro Rosas Zapién, Shuta Ruelas, Ricardo X. Serment, José Alfonso Soteno Fernández, Juan José Soteno Elias, Oscar Soteno Elias, Francisco Toledo (1940-2019), Maria Tomasula, Kathy Vargas, Angélica Vásquez-Cruz
BANDOLERO PRESS
PROPAGANDA
Contemporary Printmaking project founded by the Infamous Printmaker Carlos Barberena with the purpose to promote printmaking and create connection with printmakers around the world.
Spreading INK since 2009
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