Carlos Barberena: El Arte y la Resistencia |
 |  |
HM: It’s interesting to note the structural contrasts going on in most of your pieces, a balance between simple and complex, black and white.
CB: - Yes, I feel that the contrast between black and white gives the project more strength. Sometimes I think that this series chose its own medium. So, what better to illustrate fear than through black and white?
HM: Do you believe that your art tells a story uniquely related to the Nicaraguan experience?
CB: -No, it is decidedly not just the Nicaraguan experience. If you set this in another country that has been devastated by war, you’ll have the same thing. And what is important is to call them “years of fear,” because at the center of it all is the fear. It’s how different parties rule a population by fear, whether you’re a mother concerned for your child, concerned for your family, whether you’re being followed or threatened unless you turn your neighbor in. It’s the fear of living such a violent life. That’s the point of my exhibit, to reflect upon what we’ve lived through, the world over, not just Nicaragua. As you can see in a few of the pieces, some are about what happened in Abu Ghraib, some are in reference to article 5, Guantánamo, etcetera. There are different points of view.
CB: - Yes, I feel that the contrast between black and white gives the project more strength. Sometimes I think that this series chose its own medium. So, what better to illustrate fear than through black and white?
HM: Do you believe that your art tells a story uniquely related to the Nicaraguan experience?
CB: -No, it is decidedly not just the Nicaraguan experience. If you set this in another country that has been devastated by war, you’ll have the same thing. And what is important is to call them “years of fear,” because at the center of it all is the fear. It’s how different parties rule a population by fear, whether you’re a mother concerned for your child, concerned for your family, whether you’re being followed or threatened unless you turn your neighbor in. It’s the fear of living such a violent life. That’s the point of my exhibit, to reflect upon what we’ve lived through, the world over, not just Nicaragua. As you can see in a few of the pieces, some are about what happened in Abu Ghraib, some are in reference to article 5, Guantánamo, etcetera. There are different points of view.
"Años de Miedo / Years of Fear" Print Portfolio
25 Linocuts by Carlos Barberena
HM: Do you believe art to be an end unto itself, or do you think it should serve a higher purpose?
CB: - I think that one creates art, first of all, to purge many things and to communicate them, whatever they are. It’s not like I’m hoping someone will change their life or opinions after seeing my work. I’m just exposing my point of view, like a writer or a musician; it’s an act of communication though, and should not be merely decorative.
CB: - I think that one creates art, first of all, to purge many things and to communicate them, whatever they are. It’s not like I’m hoping someone will change their life or opinions after seeing my work. I’m just exposing my point of view, like a writer or a musician; it’s an act of communication though, and should not be merely decorative.
BANDOLERO PRESS
PROPAGANDA
Contemporary Printmaking project founded by the Infamous Printmaker Carlos Barberena with the purpose to promote printmaking and create connection with printmakers around the world.
Spreading INK since 2009
Archives
May 2021
February 2021
January 2021
October 2020
September 2020
June 2020
February 2020
November 2019
October 2019
September 2019
August 2019
July 2019
June 2019
April 2019
March 2019
February 2019
January 2019
October 2018
August 2018
July 2018
Categories
All
Carlos Barberena
Contemporary Printmaking
Essay
Exhibition
Free Downloads
Interview
Linocut
Printmaking
Woodcut
RSS Feed