This print is to raise awareness about the humanitarian catastrophe that the Yanomami indigenous people are suffering, largely due to the disastrous effect of illegal gold mining that has displaced them, brought diseases, child malnutrition, destroyed the land and contaminated the rivers with mercury and poisoning the Yanomami people. Mercury is used for gold mining to extract gold, over 90% of the Yanomami people have higher levels of mercury than the World Health Organization recommends.

Carlos Barberena at La Onda Gráfica in Houston, Texas
Video by Christian Riquelme kabta.co

PRINT DETAILS:
FORA GARIMPO! 24" x 18". Relief Print, Letterpress & Screen Print on French paper. Signed by Carlos Barberena. Numbered Edition of 100. Published by La Onda Gráfica, Houston. TX. 2023

(Posted on Thursday, Oct. 6, 2022)
The Department of Art + Design, with support from The Center of Excellence for the Creative Arts, is pleased to welcome celebrated printmaker Carlos Barberena to kick off the 2022-23 CECA Visiting Artist Speaker Series season.

“This marks the sixth year that I have been at the helm of the Visiting Artist Speaker SeriesCommittee,” said Michael Dickins. “And this year is just as exciting as the others. It is an honor to be able to bring world-class artists to Clarksville on a regular basis. We’re kicking off this season with Carlos Barberena, a contemporary Nicaraguan printmaker known for his relief prints and his use of images from pop culture, as well as from political and cultural tragedies.”

Barberena’s lecture will be at 6 p.m. on Tuesday, Oct. 18, in Heydel Hall (Room 120 of the Art + Design building). The lecture is free and open to the public.
He’ll also work with Austin Peay students during his visit to create new pieces.
“During Barberena’s visit, he will be working with our printmaking professor, Patrick Vincent, and some of our students to create a new print edition of his work,” Dickins said. “One of the pieces in the edition will be donated to APSU’s Art Collection. This will increase our collection of contemporary prints that we’ve been building over the past few years. Two of the pieces will be donated to CECA to go toward fundraising initiatives, so it’s possible that a community member will not only support CECA and its programming but also own an original work by Carlos Barberena.”

Counteracting silence in the face of repression
Barberena’s work consistently reflects on the cycles of repression and resistance and its relationship to the diaspora in which he has lived, throughout dictatorship, revolution, erasure, renewal, hope and repression. In his prints, he centers such life experiences occurring far beyond his country. At times he evokes them with satirical images, at others, through the mundane, unseen things people carry, such as memories, attachments, relationships and traumas.
He creates to counteract the great silence in the face of repression occurring globally, believing we are all intimately connected to it. He looks to demystify the “foreign” experience, to bridge the distances that life across any border or wall produces, but also, the difference in the content of these experiences. Barberena creates to bring awareness to the interconnectedness among them, focusing on the struggle for social, political, economic and environmental justice.

He has received various awards, most notably The Elizabeth Catlett Memorial Award, 2021 MAPC Juried Exhibition, University of Iowa; DNSPE Purchase Award 2022, Bradbury Art Museum, Arkansas State University, Jonesboro, Arkansas; Second Prize, Ninth Annual Art Competition at the Bridgeport Art Center, Chicago; SPARK Grant Award, Chicago Artist Coalition and the Joyce Foundation; Cross Currents: Intercambio Cultural, Chicago-Havana, 2017-2019, MacArthur Foundation International Connections; National Printmaking Award 2012 given by the Nicaraguan Institute of Culture in Managua, Nicaragua; Parchemin d’Honneur, 8 Triennale Mondial de l’Estampe et de la Gravure Originale, AMAC, Chamalieres, Auvergne, France; Revueltas Award for Visual Arts 2019, Pilsen Fest, Chicago; and the award-poster for the Ecology and Human Rights in Banana Plantations in Costa Rica, given by GEBANA in Berlin, Germany.

Barberena, who lives in Chicago, has artwork in many public and private collections. For more on Barberena and his work, visit his website or follow him on Instagram @barberena.
For more on this lecture, contact Dickins at dickinsm@apsu.edu. For future CECA Visiting Artist Speaker Series events, visit www.apsu.edu/art-design/exhibitions-speakers/visiting-artists.
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All events are free and open to the public. All ages are welcome.

"THE CONTEMPORARY PRINT"  Juried by John Hitchcock
OPENING RECEPTION: FRIDAY, JANUARY 14TH, 7:00PM - 10:00PM
ON VIEW: BY APPOINTMENT ONLY
JANUARY 15 – FEBRUARY 15, 2022
BIG MEDIUM
916 Springdale Rd, Bldg 2, #101 Austin, TX 78702
Gallery Hours: Thursday - Saturday: 12 - 6 PM - By Appointment Only
- To allow for social distancing, appointments will be scheduled every 30 minutes, with a maximum of 10 guests at a time. Scroll down to schedule an appointment with at least 24 hours advance notice. - Masks are required at all times -.
Reserve your spot HERE.
(512) 939-6665 / info@bigmedium.org 

The Contemporary Print is PrintAustin’s annual juried exhibition and features an independent survey of the traditions and innovations of contemporary printmaking. We are thrilled to partner with Big Medium for this year’s exhibition, as well as welcome selections by our juror, John Hitchcock, Professor and Associate Dean of the Arts at the University of Wisconsin-Madison.

Works in The Contemporary Print demonstrate the dynamic and fluid nature of printmaking happening today, offering distinct styles and techniques that give way for diverse narratives. While some artists find inspiration in their experiences of identity, immigration, and the human condition, others focus on a technical dialogue, drawing from their individual practice in other mediums as it translates into the printmaking language. While non-traditional or digital output is accepted as a print element, submissions must utilize traditional print media as their primary technique, including lithography, relief, intaglio, silkscreen, and monotype.
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ARTISTS
Richard Ricky Armendariz, Carlos Barberena, Michael Barnes, Mary Becker, Stephanie Berrie, Matthew Bindert, Sarah Bogdal, Raj Bunnag, Kyle Chaput, Jennifer Clarke, Briar Craig, Andrew DeCaen, John Dobbie, Sarah Drummond, Stefanie Dykes, Juana Estrada
Hernandez, Craig Fisher, J. Leigh Garcia, Keith Garubba, Bob Goldstein, Jon Greene, Jayne Reid Jackson, Wesley Kramer, Lauren Kussro, Sophia Larsen, Andrew Lawson, Jun Lee, Beauvais Lyons, Benjamin Moreau, Steven Munoz, Edie Overturf, Tatiana Potts, Catherine Prose, Lars Roeder, Debrah Santini, Chadwick Tolley, Lisa Turner, Terry Vatrt, Brandon Williams.

About the Juror
John Hitchcock (he/him,/his) — Hitchcock is a Professor and Associate Dean of the Arts at the University of Wisconsin-Madison where he has taught printmaking for twenty years. Hitchcock uses the print medium with its long history of commenting on social and political issues to explore his relationships to community, land, and culture. Hitchcock’s artwork consists of abstract representations, mythological hybrid creatures, and military weaponry. His artworks are based on his childhood memories and stories of growing up in Oklahoma. Many of the images are interpretations of stories told by his Kiowa/Comanche grandparents and abstract representations influenced by beadwork, land, and culture. Hitchcock has made prints with MATRIX Press, Hannaher’s, Inc. Print Studio at Plains Art Museum, and this summer with Crow’s Shadow Institute of the Arts.

For The Contemporary Print programming, events and information visit printaustin.org
​Evening appointments are available through PrintAustin on January 14, January 21, and February 10, 7-10pm. Reserve your spot HERE.

Nicaraguan Printmaker Carlos Barberena was awarded with "The Elizabeth Catlett Memorial Award" in the 2021 MAPC Juried Members' Exhibit juried by Mildred Beltré and Jennifer Hughes.

The winners were announced on Friday, October 15th, 2021 by the Mid America Print Council MAPC: Carlos Barberena for "Undocumented" - ESSENTIAL: For Your Colonizer Comfort - Series (The Elizabeth Catlett Memorial Award); Alex Fox for "Ecydis Remains" (First Price); Nicolas Tisdale for "Dichotomy Up Down III" (Second Prize); and Mizin Shin for "Use Your Voice #StopAsianHate "(honorable mention).

The Exhibition is open to public at the University of Iowa's Drewlowe Gallery

Mid America Print Council 2021 Members’ Juried Exhibition!
The exhibition, juried by Mildred Beltré and Jennifer Hughes
On View: October 6 – November 6, 2021
In-Person Opening Reception: Friday, October 15, 6PM to 8PM
Virtual Event: Saturday, October 16 at 10:30 AM, CST
University of Iowa School of Art & Art History
Image credit: Emily Orzech

Thanks to Blick Art Materials, McClains Printmaking Supplies and MAPC Award fund for sponsoring these prizes.

"LA LUCHA SIGUE"
​/ FREE POSTER / GRATIS / PDF Format 24" x 18"

*Franky Piña / Chicago
Mientras mi pulgar se desliza dócilmente sobre la pantalla de mi esmartfon, comienza a brotar la ilustración de un trabajador esencial excepcionalmente grabado. La figura es reconocible; la conforman millones y millones de puntos cromáticos que se proyectan en la pantalla de cristal líquido y trazan un trabajador del campo estadounidense en esta nueva era de Acuario y de Covid-19. La forma prodigiosa y el contenido punzante hacen de una propuesta conceptual una obra maestra del grabador Carlos Barberena.

About this Event: 
"POSADA: The Godfather of Latin American Printmaking"
José Guadalupe Posada (1852-1913) was a Mexican Printmaker and illustrator known for his satirical and socio-political prints and cartoons. His more critical work shows us the social injustices and inequality during the Porfiriato (1876-1911) but also he illustrated with mastery the spirit and everyday life of the Mexican People. One of his well-known satirical prints is “La Calavera Garbancera or La Catrina”, a print that has become an icon during the celebration of el Día de Muertos / Day of the Dead.
In this presentation Barberena will be talking about Posada’s legacy and how his social-political work has influenced artists in Mexico and Latin America until this day.
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About the Artist:
Carlos Barberena (b.1972) is a contemporary Nicaraguan self-taught Printmaker best known for his satirical relief prints and the use of images from pop culture, as well as from political and cultural tragedies. His work has been shown nationally and internationally in Art Biennials, Museums, Galleries, Universities and Cultural Centers.
He has received various awards, most notably the “National Printmaking Award 2012” given by the Nicaraguan Institute of Culture. Barberena’s work is included in numerous public and private collections. Currently Barberena lives and works in Chicago.