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REFUSING ERASURE

1/25/2022

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"REFUSING ERASURE" Prints by Carlos Barberena

OPENING RECEPTION: THURSDAY, MARCH 17, 4 – 6 PM 
ON VIEW:
At Overture Galleries: Gallery III – January 25 – April 17, 2022
Overture Center for the Arts  201 State St. Madison, WI 53703-2214
Southern Graphic Council International
SGCI Conference: March 16–19, 2022
SGCI Our Shared Future printmaking conference is a call to artists to consider how our studio practice makes culture and knowledge visible through socially engaged graphic arts of the past, present and future. Printmaking can deepen our understanding of the world, inherently challenge systems of oppression and can push against histories of colonization, unwarranted violence and systemic racism. Artists share in the responsibility to shape our future. Overture Center is proud to join the Our Shared Future conference and UW–Madison in our commitment to respect the inherent sovereignty of the Ho-Chunk Nation and the other First Nations of Wisconsin.
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The Contemporary Print

1/10/2022

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"THE CONTEMPORARY PRINT"
Presented in Collaboration with Print Austin
At Big Medium, Austin, TX

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"THE CONTEMPORARY PRINT"  Juried by John Hitchcock
OPENING RECEPTION: FRIDAY, JANUARY 14TH, 7:00PM - 10:00PM
ON VIEW: BY APPOINTMENT ONLY

JANUARY 15 – FEBRUARY 15, 2022
BIG MEDIUM

916 Springdale Rd, Bldg 2, #101 Austin, TX 78702
Gallery Hours: Thursday - Saturday: 12 - 6 PM - By Appointment Only
- To allow for social distancing, appointments will be scheduled every 30 minutes, with a maximum of 10 guests at a time. Scroll down to schedule an appointment with at least 24 hours advance notice. - Masks are required at all times -.
Reserve your spot HERE.
(512) 939-6665 / [email protected] 
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Carlos Barberena, "Undocumented" 2020, Linocut on Shopping Bag, 24" x 18"
The Contemporary Print is PrintAustin’s annual juried exhibition and features an independent survey of the traditions and innovations of contemporary printmaking. We are thrilled to partner with Big Medium for this year’s exhibition, as well as welcome selections by our juror, John Hitchcock, Professor and Associate Dean of the Arts at the University of Wisconsin-Madison.

Works in The Contemporary Print demonstrate the dynamic and fluid nature of printmaking happening today, offering distinct styles and techniques that give way for diverse narratives. While some artists find inspiration in their experiences of identity, immigration, and the human condition, others focus on a technical dialogue, drawing from their individual practice in other mediums as it translates into the printmaking language. While non-traditional or digital output is accepted as a print element, submissions must utilize traditional print media as their primary technique, including lithography, relief, intaglio, silkscreen, and monotype.
​
ARTISTS
Richard Ricky Armendariz, Carlos Barberena, Michael Barnes, Mary Becker, Stephanie Berrie, Matthew Bindert, Sarah Bogdal, Raj Bunnag, Kyle Chaput, Jennifer Clarke, Briar Craig, Andrew DeCaen, John Dobbie, Sarah Drummond, Stefanie Dykes, Juana Estrada
Hernandez, Craig Fisher, J. Leigh Garcia, Keith Garubba, Bob Goldstein, Jon Greene, Jayne Reid Jackson, Wesley Kramer, Lauren Kussro, Sophia Larsen, Andrew Lawson, Jun Lee, Beauvais Lyons, Benjamin Moreau, Steven Munoz, Edie Overturf, Tatiana Potts, Catherine Prose, Lars Roeder, Debrah Santini, Chadwick Tolley, Lisa Turner, Terry Vatrt, Brandon Williams.
About the Juror
John Hitchcock (he/him,/his) — Hitchcock is a Professor and Associate Dean of the Arts at the University of Wisconsin-Madison where he has taught printmaking for twenty years. Hitchcock uses the print medium with its long history of commenting on social and political issues to explore his relationships to community, land, and culture. Hitchcock’s artwork consists of abstract representations, mythological hybrid creatures, and military weaponry. His artworks are based on his childhood memories and stories of growing up in Oklahoma. Many of the images are interpretations of stories told by his Kiowa/Comanche grandparents and abstract representations influenced by beadwork, land, and culture. Hitchcock has made prints with MATRIX Press, Hannaher’s, Inc. Print Studio at Plains Art Museum, and this summer with Crow’s Shadow Institute of the Arts.

For The Contemporary Print programming, events and information visit printaustin.org
​Evening appointments are available through PrintAustin on January 14, January 21, and February 10, 7-10pm. Reserve your spot HERE.

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Carlos Barberena: The Elizabeth Catlett Memorial Award

10/15/2021

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Carlos Barberena awarded with "The Elizabeth Catlett Memorial Award"
2021 MAPC Juried Member's Exhibit 

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Nicaraguan Printmaker Carlos Barberena was awarded with "The Elizabeth Catlett Memorial Award" in the 2021 MAPC Juried Members' Exhibit juried by Mildred Beltré and Jennifer Hughes.

The winners were announced on Friday, October 15th, 2021 by the Mid America Print Council MAPC: Carlos Barberena for "Undocumented" - ESSENTIAL: For Your Colonizer Comfort - Series (The Elizabeth Catlett Memorial Award); Alex Fox for "Ecydis Remains" (First Price); Nicolas Tisdale for "Dichotomy Up Down III" (Second Prize); and Mizin Shin for "Use Your Voice #StopAsianHate "(honorable mention).

The Exhibition is open to public at the University of Iowa's Drewlowe Gallery

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"Undocumented" by Carlos Barberena awarded with "The Elizabeth Catlett Memorial Award"
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Mid America Print Council 2021 Members’ Juried Exhibition!
The exhibition, juried by Mildred Beltré and Jennifer Hughes
On View: October 6 – November 6, 2021
In-Person Opening Reception: Friday, October 15, 6PM to 8PM
Virtual Event: Saturday, October 16 at 10:30 AM, CST
University of Iowa School of Art & Art History
Image credit: Emily Orzech
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Carlos Barberena's work on display at Drewlowe Gallery, University of Iowa
Thanks to Blick Art Materials, McClains Printmaking Supplies and MAPC Award fund for sponsoring these prizes.

2021 Mid America Print Council Members Exhibition from Little Village on Vimeo.

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Carlos Barberena: BAC Second Prize Winner

5/28/2021

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9TH ANNUAL ART COMPETITION
Carlos Barberena: BAC Second Prize Winner

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"ESSENTIAL" - For Your Colonizer Comfort - (Detail) Linocut by Carlos Barberena
​"SECOND PRIZE WINNER"
- "9TH ANNUAL ART COMPETITION"  Curated by Yaoundé Olu & Jeff HIRST
OPENING RECEPTION: FRIDAY, MAY 21ST, 8:00PM - 10:00PM
ON VIEW: 

MAY 21 – JULY 2, 2021
BRIDGEPORT ART CENTER

1200 W 35th St. Chicago, IL 60609
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Second Prize Winner - BAC Art Competition
I am very excited to share with you this great news, I won the Second Prize in the "9th Annual Art Competition" at the Bridgeport Art Center in Chicago. Jurors Dr. Yaoundé Olu & Jeffrey Hirst selected my linocut print "ESSENTIAL" to receive this Award. I would like to thanks to the Bridgeport Art Center and its staff for putting together this great show and congrats to all the participants.
Exhibition is open to Public from May 21-July 2, 2021
- Mask required -
Take care, stay healthy and be kind
Carlos Barberena
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Carlos Barberena: El Arte y la Resistencia

2/3/2021

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Carlos Barberena: El Arte y la Resistencia
Entrevista por Puntos de Encuentro

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Puntos de Encuentro / Franky Piña / Sandra Dávila...
Carlos Barberena es una chingonería de artista, es un impresor nicaragüense contemporáneo conocido por sus grabados en relieve satírico y el uso de imágenes de la cultura pop, así como de tragedias políticas y culturales. Crea para contrarrestar el gran silencio en torno a la represión que ocurre globalmente. Crea para concientizarnos de la interconexión entre las injusticias sociales, políticas, económicas y ambientales. Barberena ha expuesto individualmente en Costa Rica, Estonia, Francia, México, Nicaragua, España y Estados Unidos, su trabajo también ha sido expuesto en bienales de arte, museos, galerías y centros culturales por muchos rincones del mundo y ha recibido varios premios. La obra de Barberena está incluida en numerosas colecciones públicas y privadas. Actualmente Barberena vive y trabaja en Chicago.
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LA LUCHA SIGUE

1/20/2021

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"LA LUCHA SIGUE"
/ FREE POSTER / GRATIS /

"LA LUCHA SIGUE"
​/ FREE POSTER / GRATIS / PDF Format 24" x 18"
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"LA LUCHA SIGUE"

Woodcut by Carlos Barberena / Published by Cannonball Press, New York

la__lucha_sigue_free_poster.pdf
File Size: 39786 kb
File Type: pdf
Download File

ATTENTION: This graphics are FREE FOR THE PEOPLE,
***If you are an Institution with a Budget  (Museum, cultural center, gallery, universities, etc) Please contact me to discuss compensation for using my work.
Note: This graphics are NO for COMMERCIAL purposes. Feel free to contact me if you have any questions
Thanks
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Essential Workers by Carlos Barberena

1/2/2021

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ESSENTIAL - For Your Colonizer Comfort -

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ESSENTIAL - For Your Colonizer Comfort - Linocut by Carlos Barberena. 2020

"ESSENTIAL — FOR YOUR COLONIZER COMFORT"
de Carlos Barberena

*Franky Piña / Chicago
Mientras mi pulgar se desliza dócilmente sobre la pantalla de mi esmartfon, comienza a brotar la ilustración de un trabajador esencial excepcionalmente grabado. La figura es reconocible; la conforman millones y millones de puntos cromáticos que se proyectan en la pantalla de cristal líquido y trazan un trabajador del campo estadounidense en esta nueva era de Acuario y de Covid-19. La forma prodigiosa y el contenido punzante hacen de una propuesta conceptual una obra maestra del grabador Carlos Barberena.
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Essential Worker by Carlos Barberena. Linocut on Shopping Bag. 2020
La pieza de arte se titula “Essential — For Your Colonizer Comfort”. Mi reacción primera es de consumidora compulsiva, mas insurrecta. Comprarla para regalo fue mi impulso (“sólo podemos dar lo que ya hemos dado” subrayó el poeta Borges), el mensaje visual es agudo, un verdadero chingadazo de realidad: un cuerpo de mujer o de hombre cubierto con un paliacate que hace las veces de cubre bocas, quizá sea para protegerse de los pesticidas o acaso sea para protegerse del inmundo virus. Su postura erguida cargando una cubeta con calabazas evoca a esas miles de fotografías que por décadas hemos visto de los trabajadores inmigrantes en los campos de California, Florida, Washington, Michigan y entonces no nos decían mucho. We took them for granted!
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Essential Worker by Carlos Barberena. Linocut on Shopping Bag 2020
Hoy a esos trabajadores se les denomina oficialmente “esenciales” aunque su salario siga siendo miserable y las condiciones laborales sigan siendo indignas. Me queda claro que sin el trabajo áspero de sus manos y la extenuación del trabajador inmigrante, Estados Unidos no hubiera sobrevivido la pandemia. ¿Quién está dispuesto a dejar el confort del sofá y abandonar el confinamiento para irse al campo a cosechar la naranja, el jitomate, el brócoli, la arúgula y los micro cultivos para ensaladas de productos orgánicos 100 por ciento verificados?

El Maestro Barberena lleva por lo menos tres décadas trabajando con el tema de la migración, lo hizo en Costa Rica cuando emigró de Nicaragua, 1986, y lo ha hecho en Estados Unidos desde que emigró a Washington en 2008. Ya en Chicago realizó tres grabados memorables sobre el mismo tema: Los refugiados (2010), Santo Pollero (2011) y Riding the Beast (2011).
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Essential Worker by Carlos Barberena. Linocut on Shopping Bag 2020
​La técnica es de factura impecable y ahora en la serie “Essential — For Your Colonizer Comfort” la calidad no podía ser menor. La obra de Barberena desconoce la involución y su temática es la del demiurgo del buril que sabe llevar el pulso del momento histórico y político que le ha tocado vivir. Así que retoma al trabajador del campo y lo reviste de dignidad, y lo coloca en el centro de la contemplación y la reflexión.

Le arrebata a “los nobles” los atributos simbólicos del retrato de los poderosos: la aristocracia y el clero, y se lo otorga a los trabajadores más expuestos al abuso y a la esclavitud moderna: el trabajador agrícola, el empacador, el estibador. Con motivos floripondiosos y barrocos honra a estos nuevos personajes esenciales en cualquier campo de cultivo, en cualquier punto del orbe.
​A través de estas magníficas impresiones en bolsas para el mandado elaboradas con papel de grabado, BFK Rives, el artista nos invita a deconstruir el concepto esencial y descolonizar nuestro pensamiento para en verdad observar, reconocer y respetar el trabajo y la vida de aquellas trabajadoras y trabajadores que con su labor hacen posible que en nuestra mesa no falte un alimento digno esta noche.

*FRANKY PIÑA es gestora cultural, activista por los derechos de la comunidad transgénero, escritora apasionada del arte y directora editorial de El BeiSMan. En Chicago, ha sido cofundadora de revistas literarias como Fe de erratas, zorros y erizos, Tropel y contratiempo. Es coautora del libro Rudy Lozano: His Life, His People (1991). Participó en las antologías Voces en el viento: Nuevas ficciones desde Chicago (1999) y Se habla español: Voces latinas en USA (2000). Ha editado varios catálogos de arte: Alfonso Piloto Nieves Ruiz: Sculpture (2014), Barberena: Master Prints (2016) Raya: The Fetish of Pain (2017), Wolfram: We Are Capable People (2019), entre otros.
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POSADA: The Godfather of Latin American Printmaking

10/27/2020

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POSADA: The Godfather of Latin American Printmaking

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Learn about iconic Mexican printmaker José Guadalupe Posada with Chicago-based artist, Carlos Barberena
ARTIST TALK: THURSDAY, OCTOBER 29TH, 1:00PM EDT
Via Zoom at Eiteljorg Museum
​PLEASE RSVP FOR THE EVENT HERE
About this Event: 
"POSADA: The Godfather of Latin American Printmaking"

José Guadalupe Posada (1852-1913) was a Mexican Printmaker and illustrator known for his satirical and socio-political prints and cartoons. His more critical work shows us the social injustices and inequality during the Porfiriato (1876-1911) but also he illustrated with mastery the spirit and everyday life of the Mexican People. One of his well-known satirical prints is “La Calavera Garbancera or La Catrina”, a print that has become an icon during the celebration of el Día de Muertos / Day of the Dead.
In this presentation Barberena will be talking about Posada’s legacy and how his social-political work has influenced artists in Mexico and Latin America until this day.
​
About the Artist:

Carlos Barberena (b.1972) is a contemporary Nicaraguan self-taught Printmaker best known for his satirical relief prints and the use of images from pop culture, as well as from political and cultural tragedies. His work has been shown nationally and internationally in Art Biennials, Museums, Galleries, Universities and Cultural Centers.
He has received various awards, most notably the “National Printmaking Award 2012” given by the Nicaraguan Institute of Culture. Barberena’s work is included in numerous public and private collections. Currently Barberena lives and works in Chicago.
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Artist Talk with Printmaker Carlos Barberena

10/26/2020

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Artist Talk with Printmaker Carlos Barberena

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Artist Talk with Printmaker Carlos Barberena at Duke University
ARTIST TALK: WEDNESDAY, OCTOBER 28TH, 2:00PM - 3:00PM  EST
VIA ZOOM
​
RSVP Must be received by 10/27 / *RSVP to Bill Fick at [email protected]
Department of Art, Art History & Visual Studies
AAHVS Visiting Artist Series 
Wednesday, October 28, 2020 - 2:00pm to 3:00pm
Carlos Barberena (b.1972) is a Nicaraguan self-taught printmaker based in Chicago, where he runs the printmaking projects Bandolero Press & La Calaca Press. He is also a member of the Instituto Gráfico de Chicago. Barberena is known for his satirical relief prints and the use of images from pop culture, as well as from political and cultural tragedies. He has exhibited individually in Costa Rica, Estonia, France, Mexico, Nicaragua, Spain, and the USA. His work also has been shown in art biennials, museums, galleries and cultural centers around the world.

Open to the public. To join this Zoom meeting please RSVP to Bill Fick - [email protected] (RSVP must be received by 10/27)
​
Sponsored by the Visiting Artist Series of the Department of Art, Art History & Visual Studies.
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Solo un poco aqui: Day of the Dead

9/15/2020

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"Sólo un poco aquí: DAY OF THE DEAD"

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"ESSENTIAL" - For Your Colonizer Comfort - (Detail) Linocut by Carlos Barberena
"Sólo un poco aquí: DAY OF THE DEAD"  Curated by Dolores Mercado
VIRTUAL OPENING RECEPTION: FRIDAY, SEPTEMBER 18TH, 6:00PM - 8:00PM
ON VIEW (Virtually):

SEPTEMBER 18 – DECEMBER 13, 2020
NATIONAL MUSEUM OF MEXICAN ART

1852 W 19th St. Chicago, IL 60608
This year’s exhibition pays tribute to and remembers the numerous individuals from our community, Mexico, the U.S. and the entire world that have died from COVID-19. Join us to see new installations, paintings, and prints created by local artists for this, the 34thannual Day of the Dead exhibition. In addition there will be works of art in various media from the growing National Museum of Mexican Art Permanent Collection. These works created by Mexican artists from both sides of the border reveal their interest in preserving and participating in one of the most influential living celebrations from Mexico, which over time has transcended borders.
​

Este año la exposición rinde homenaje y recuerda a todas las personas de nuestra comunidad, de México, los Estados Unidos y del mundo entero que han muerto por el COVID-19. Acompáñenos a ver instalaciones, grabados y pinturas creadas por artistas locales para ésta, la 34ª exposición de Día de muertos. Así mismo, obras en diferentes técnicas de la creciente colección permanente del Museo Nacional de Arte Mexicano serán también parte de esta exposición. Este conjunto de obras creadas por artistas mexicanos de los dos lados de la frontera manifiesta el interés de ellos por preservar y participar en una de las celebraciones vivas más importantes de México, la cual, a través del tiempo, ha trascendido fronteras.
Curated by Dolores Mercado 
Curatorial Assistant, Marilyn Lara Corral
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INSTALLATIONS
Atlan Arceo-Witzl, Carlos Barberena, Gabriela Leyva, Hector Duarte, Salvador Jiménez-Flores, Sam Kirk, Rodrigo Lara Zendejas, Elsa Muñoz, Mark Nelson, Yollocalli Youth Council.
​ 

ARTISTS 
Herman Aguirre, Rene H. Arceo, Antonia Felipe Calendario, Veronica Cardoso Nagel, Alfonso Castillo Orta (1944-2009), Castillo Orta Family, Almendra Castillo Valderrama, Carmen Chami, Javier Chavira, Álvaro de la Cruz López, José Antonio de la Cruz, Francisco Flores, Esperanza Gama, Demetrio García Aguilar, Sergio Gómez, Gronk, Ester Hernández, Pedro Hernández, Celeste Jaime, Carmen Lomas Garza, Mario López Torres, Isabel Martínez, Ann Murdy, Alejandro Nava (1956-2014), Rodrigo Oñate Roco, Ignacio Peralta Soledad, Benito Rivera Soteno, Michael Roman (1956-2016), Alfonso Alejandro Rosas Zapién, Shuta Ruelas, Ricardo X. Serment, José Alfonso Soteno Fernández, Juan José Soteno Elias, Oscar Soteno Elias, Francisco Toledo (1940-2019), Maria Tomasula, Kathy Vargas, Angélica Vásquez-Cruz
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    Contemporary Printmaking project founded by the Infamous Printmaker Carlos Barberena with the purpose to promote printmaking and create connection with printmakers around the world.

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  • Home
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