Carlos Barberena awarded with "The Elizabeth Catlett Memorial Award"
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ESSENTIAL - For Your Colonizer Comfort -
"ESSENTIAL — FOR YOUR COLONIZER COMFORT"
de Carlos Barberena
Mientras mi pulgar se desliza dócilmente sobre la pantalla de mi esmartfon, comienza a brotar la ilustración de un trabajador esencial excepcionalmente grabado. La figura es reconocible; la conforman millones y millones de puntos cromáticos que se proyectan en la pantalla de cristal líquido y trazan un trabajador del campo estadounidense en esta nueva era de Acuario y de Covid-19. La forma prodigiosa y el contenido punzante hacen de una propuesta conceptual una obra maestra del grabador Carlos Barberena.
El Maestro Barberena lleva por lo menos tres décadas trabajando con el tema de la migración, lo hizo en Costa Rica cuando emigró de Nicaragua, 1986, y lo ha hecho en Estados Unidos desde que emigró a Washington en 2008. Ya en Chicago realizó tres grabados memorables sobre el mismo tema: Los refugiados (2010), Santo Pollero (2011) y Riding the Beast (2011).
Le arrebata a “los nobles” los atributos simbólicos del retrato de los poderosos: la aristocracia y el clero, y se lo otorga a los trabajadores más expuestos al abuso y a la esclavitud moderna: el trabajador agrícola, el empacador, el estibador. Con motivos floripondiosos y barrocos honra a estos nuevos personajes esenciales en cualquier campo de cultivo, en cualquier punto del orbe.
A través de estas magníficas impresiones en bolsas para el mandado elaboradas con papel de grabado, BFK Rives, el artista nos invita a deconstruir el concepto esencial y descolonizar nuestro pensamiento para en verdad observar, reconocer y respetar el trabajo y la vida de aquellas trabajadoras y trabajadores que con su labor hacen posible que en nuestra mesa no falte un alimento digno esta noche.
POSADA: The Godfather of Latin American Printmaking
Via Zoom at Eiteljorg Museum
PLEASE RSVP FOR THE EVENT HERE
"POSADA: The Godfather of Latin American Printmaking"
José Guadalupe Posada (1852-1913) was a Mexican Printmaker and illustrator known for his satirical and socio-political prints and cartoons. His more critical work shows us the social injustices and inequality during the Porfiriato (1876-1911) but also he illustrated with mastery the spirit and everyday life of the Mexican People. One of his well-known satirical prints is “La Calavera Garbancera or La Catrina”, a print that has become an icon during the celebration of el Día de Muertos / Day of the Dead.
In this presentation Barberena will be talking about Posada’s legacy and how his social-political work has influenced artists in Mexico and Latin America until this day.
About the Artist:
Carlos Barberena (b.1972) is a contemporary Nicaraguan self-taught Printmaker best known for his satirical relief prints and the use of images from pop culture, as well as from political and cultural tragedies. His work has been shown nationally and internationally in Art Biennials, Museums, Galleries, Universities and Cultural Centers.
He has received various awards, most notably the “National Printmaking Award 2012” given by the Nicaraguan Institute of Culture. Barberena’s work is included in numerous public and private collections. Currently Barberena lives and works in Chicago.
Artist Talk with Printmaker Carlos Barberena
VIA ZOOM
RSVP Must be received by 10/27 / *RSVP to Bill Fick at bill.fick@duke.edu
Department of Art, Art History & Visual Studies
Wednesday, October 28, 2020 - 2:00pm to 3:00pm
Carlos Barberena (b.1972) is a Nicaraguan self-taught printmaker based in Chicago, where he runs the printmaking projects Bandolero Press & La Calaca Press. He is also a member of the Instituto Gráfico de Chicago. Barberena is known for his satirical relief prints and the use of images from pop culture, as well as from political and cultural tragedies. He has exhibited individually in Costa Rica, Estonia, France, Mexico, Nicaragua, Spain, and the USA. His work also has been shown in art biennials, museums, galleries and cultural centers around the world.
Open to the public. To join this Zoom meeting please RSVP to Bill Fick - bill.fick@duke.edu (RSVP must be received by 10/27)
Sponsored by the Visiting Artist Series of the Department of Art, Art History & Visual Studies.
"George Floyd - I CAN'T BREATHE"
***FREE POSTER***
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***If you are an Institution with a Budget (Museum, cultural center, gallery, universities, etc) Please contact me to discuss compensation for using my work.
Note: This graphics are NO for COMMERCIAL purposes. Feel free to contact me if you have any questions
Thanks
"Progressive Transition" - PRINT SALON - Latin American Art Triennial
Curated by Alexis Mendoza & Luis Stephenberg
OPENING RECEPTION: FRIDAY, NOVEMBER 22nd, 6:00PM - 9:00PM
ON VIEW:
NOVEMBER 22, 2019 – JANUARY 22, 2020
BORICUA COLLEGE ART GALLERY, BORICUA COLLEGE, BRONX, NY
Bronx Campus 890 Washington Ave.Bronx, NY 10451
Coco144, Liliana Avalos, Elie Angles, Carolina Bazo, Carlos Barberena, Eliezer Berrios, Betty BP Cole, Luis Cordero, Pepe Coronado, Ada Pilar Cruz, James Cuebas, Elsie Deliz, Marcos Dimas, Carlos Jesús Martínez Dominguez, Alex Fernández, Linda Fernández, Reynaldo García Pantaleón, José Gómez, Emma González, Diana-Gitesha Hernández, Rafael Lanfranco, Miguel Lescano, Rejin Leys, Vidho Lorville, George Malave, Carlos Pamparana, Lynn Ratner, Yelaine Rodríguez, Moses Ros, Fernando Ruíz Lorenzo,Roger Santiváñez, Gonzalo Salas, Juan Sánchez,René de los Santos, Minerva González Suvidad, Nicolás Tarnawiecki, Nitza Tufiño, Paola Paula, Palen Obesa, Susan Olivera, Patricia Orbegoso and Jorge Zavala.
PRINT SALON
Latin American Art Triennial
Fall 2019
The Boricua College Art Gallery is pleased to present Progressive Transition, part of the 2019 Latin American Art Triennial organized by the Bronx Hispanic Festival Inc.
This exhibition is in collaboration with El Taller Boricua de Grabado (The Boricua Printshop), Taller Cono Norte and Pepe Coronado Print Studio.
The broad range of Triennial artists includes representation from Argentina, Bolivia, Chile, Colombia, Costa Rica, Cuba, Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, México, Nicaragua, Panamá, Paraguay, Perú, Puerto Rico, Spain, Uruguay and Venezuela. The project will create awareness of the rich international network with Latin American artists, many with strong links to New York City.
Progressive Transition explores the action and effect of moving from one state to another. More broadly, the project shows the drive towards transformation in the arts. The artists’ need to “feel part of something” that can likewise be recognized and defined by others will be explored within the exhibition. The work on view represents the artistic transition seen against a landscape of societal progress. The project highlights cultural exchange and, at its core, examines the implications of transition on an evolving Latin American culture.
The flowering of change —of transition — is to be seen everywhere in the field of creativity. Just as muralism in Mexico marks a reflection of national content, newly emerging cross-cultures expand into multiple, sometimes competing identities. New terms used in the United States such as Newyorican, Chicano, Dominica-ish or Latinx, all impact the artistic and personal sense of identity.
The inability to continue relying on traditional identities encourages an interest in emerging new identities. The artists represented in Progressive Transition belong to a variety of different generations. They have found motivation as regards to notions of immigration, religion, social justice, history and environmental awareness-raising, examining problems relevant to them, and underscoring that Latin American art has its roots in the sociopolitical.
Latin American art benefits from the recent increase in the number of artists— – linked by language— who live and work all over the world. They circulate internationally and influence the rising generation, making ever more types of communication possible in a world of ever-expanding, transitioning identities.
Progressive Transition is organized by Alexis Mendoza, New York Latin American Art Triennial Chief Curator, and Luis Stephenberg, New York Latin American Art Triennial Director.
The Petty Biennial.2
OPENING RECEPTION: THURSDAY, NOVEMBER 7th, 5:00PM - 7:00PM
ON VIEW: NOVEMBER 7, 2019 – FEBRUARY 14, 2020
GLASS CURTAIN GALLERY, COLUMBIA COLLEGE, CHICAGO
Gallery Hours: Monday-Wednesday, and Friday, 9 a.m.-5 p.m. Thursday, 9 a.m.-7 p.m.
The Petty Biennial.2 engages with pettiness as an act of seizing agency within the telling of one’s own story. Pettiness is a claiming of space. Pettiness creates a space where one asserts themselves unapologetically, confronting a society that values and privileges whiteness above all, while finding solidarity from a community of peers. Pettiness is therefore a performative gesture that seeks liberation through exposing, and finding humor in oppressive social systems.
The Glass Curtain Gallery will serve as the project’s anchor site, with two satellite locations at Heaven Gallery in Wicker Park and NYCH Gallery in Pilsen. The exhibition will feature the work of sixteen participating artists across the disciplines of painting, drawing, printmaking, performance, photography, sculpture, installation, and video.
Participating Artists include: D. Denenge Duyst-Akpem, Alexandria Eregbu, Liz Gomez, Jacquelyn Carmen Guerrero, Jesus Hilario, Jennifer Ligaya, Damon Locks, Zakkiyyah Najeebah, Carlos Barberena de la Rocha, Amina Ross, Luis A. Sahagun, Edra Soto, Yasmin Spiro, Raelis Vasquez, Rhonda Wheatley, and Santiago X
Glass Curtain Gallery – Columbia College Chicago
1104 S Wabash Ave, 1st Floor, Chicago, IL 60605
November 7, 2019-February 14, 2020
Opening Reception: November 7, 2019 5-7 p.m.
Gallery Hours: Monday-Wednesday, and Friday, 9 a.m.-5 p.m.Thursday, 9 a.m.-7 p.m.
Satellite Exhibitions
Heaven Gallery
1550 N Milwaukee Ave, 2nd Floor, Chicago, IL 60622
December 6, 2019-January 19, 2020
Opening Reception: December 6, 7-11 p.m.
Gallery Hours: Friday & Saturday 1-6 p.m.
Sunday 1-5 p.m. or by appointment
NYCH Gallery
2025 S Laflin St, 1st Floor, Chicago, IL 60608
Opening Reception: January 10, 6-10 p.m.
Gallery Hours: Monday-Saturday 11 a.m.-7 p.m.
About The Petty Biennial
The Petty Biennial, co-founded by La Keisha Leek and Sadie Woods, is not a biennial itself, but a curatorial investigation towards queering the canon of traditional biennials. Every two years, the founders pass the curation of the project on to a new team. This exhibition project that complicates dominant narratives of contemporary cultural, social, political norms. Inspired by digital media, this project embodies “petty” or “clapback” culture as a disruption in respectability politics and a performative assertion in the contemporary art world. It is a response to classist views towards communities of color and peripheral art practices. At the intersection of race, gender and sexuality, featured artists showcase a range of regional and national perspectives unique to North and Central America and the Caribbean. In 2017, Leek and Woods worked with academics, cultural producers, and curators to select artists for the inaugural Petty Biennial. The project selected seventeen artists for its exhibition produced Arts + Public Life of the University of Chicago along with an additional nine artists for ancillary programming produced in partnership with The Gray Center for Arts and Inquiry, Black Cinema House, and OpenTV.
This program is partially supported by a grant from the Illinois Arts Council Agency.
Graphic Resistance at Pilsen Outpost Gallery
November 1st – December 1st, 2019
Pilsen Outpost Gallery
Artist Talk and Printmaking Demo: Thursday, November 14th, 6-9PM
"Graphic Resistance"
Relief Prints by Carlos Barberena
Artist Talk & Printmaking Demo: Thursday, November 14th, 6-9PM
Carlos Barberena is a Nicaraguan self-taught Printmaker based in Chicago, where he runs the printmaking projects: Bandolero Press & La Calaca Press. He is also a member of the Instituto Gráfico de Chicago.
Barberena is known for his satirical relief prints and the use of images from pop culture, as well as from political and cultural tragedies. He has exhibited individually in Costa Rica, Estonia, France, Mexico, Nicaragua, Spain and The United States of America. His work also has been shown in Art Biennials, Museums, Galleries and Cultural Centers around the world.
He has been in such residencies as the Taller de Formación y Producción Gráfica, Antiguo Colegio Jesuita, Patzcuaro, México and Cross Currents: Cultural Exchange, Chicago-Havana.
Barberena’s work is included in various public and private collections.
Exhibition runs from November 1st through December 1st, 2019
Pilsen Outpost
1637 W 18th St. Chicago, IL 60608
More info about the Artist:
www.bandoleropress.com
www.carlosbarberena.com
BANDOLERO PRESS
PROPAGANDA
Contemporary Printmaking project founded by the Infamous Printmaker Carlos Barberena with the purpose to promote printmaking and create connection with printmakers around the world.
Spreading INK since 2009
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